Harmony, a quilt by Patricia Belyea
Harmony, a quilt by Patricia Belyea
Detail of Harmony, a quilt by Patricia Belyea
In process, Harmony, a quilt by Patricia Belyea
Signature on Harmony, a quilt by Patricia Belyea
Back of Harmony, a quilt by Patricia Belyea
East-Meets-West Quilts, a book by Patricia Belyea of Okan Arts
Patricia Belyea of Okan Arts

Harmony

Regular price$5,000.00
/

Quilt by Patricia Belyea
56" x 72"

Translated as ”wa,“ harmony is an important influence in Japanese culture that impacts social, business, and political behavior. Personal conduct in Japan is modulated to ensure harmony above all else in every interaction.

I interwove two big themes into Harmony. One is the Puzzle of Life with the piecing of the quilt blocks. The other is the Sacred Spiral, symbol of balance, in the multi-colored, big-stitch quilting. 

The patterned fabrics, an unbleached cotton-linen blend from Japan, were bought at quilt shops in my hometown of Ottawa and my present home of Seattle. My favorite design is the complex one with trees, flowers, and rainbows—so I featured it on the quilt back.

Harmony was featured in Patricia’s book, East-Meets-West Quilts, as a project with instructions. Made with contemporary designer cottons plus contemporary solids. 

The quilt, signed with Patricia’s applique´signature, comes with a Certificate of Authenticity and a custom linen bag. Shipping and insurance are free to a domestic US address.

Photos of quilt and Patricia by Kate Baldwin.

Patricia founded Okan Arts—a family business that imports vintage Japanese textiles. Inspired by these found fabrics, Patricia incorporates hand-dyed yukata cottons into her quilt designs. An award-winning quilter, Patricia’s quilts have been exhibited at quilt museums across the country.

Forty years ago, Reiko Sudo co-founded Nuno Corporation with Junichi Arai. Although “nuno” simply means fabric in Japanese, Sudo’s textile creations are anything but simple!   

The innovative textiles produced by Nuno, conceived by Sudo and her team, blend traditional Japanese dyeing and weaving mastery with advanced modern techniques.

Sudo has been recognized globally for her contributions to Japanese textile design. Her work includes collaborations with architects, fashion designers, and artists, as well as major museum exhibits.

The project was designed by Ed Marquand, Reiko Sudo, and Alfred Birnbaum.

All 140 textiles included in The Nuno Box were produced by Nuno: Reiko Sudo, Hiroko Suwa, Sayuri Shimoda, Kazuhiro Ueno, Yumi Yasui, Jun Mashiba, Yuki Abe, Gaku Masui, Tomoko Fujino, Fumi Ito, Masaaki Takekura, and Hiroaki Takekura.

The texts, translation, editing, and coordination were handled by Alfred Birnbaum.

The letterpress printing was by Steve Morgan, and the binding was completed by Maria Solorio and Teresa Martinez.

The Nuno Box was compiled and constructed at Paper Hammer Studios in Tieton, Washington.

The Nuno Box has been acquired by a bevy of private collectors as well as the Metropolitan Museum of Art, Philadelphia Museum of Art, Cooper-Hewitt, Museum of Fine Arts Boston, Los Angeles County Museum of Art, Asian Art Museum, Cotsen Foundation, Tokyo Zokei University, Textile Museum, Bainbridge Island Museum of Art, Savannah College of Art and Design, and UCLA Library.

You may also like


Recently viewed